Life happens to all of us. For writers, all of it is grist for the mill: the good the bad and the downright ugly. Don’t you love Marian Keye’s attitude?
I have a beloved aunt who has one of the funniest people I know. I asked her about it once and she said that, for her, it’s a nervous reaction. I sometimes wish I and certain others would develop that reaction. It would be a lot more socially acceptable!
Sometimes the funny side of a situation takes a while for us to see, but writing about it helps. I think I’m going to try seeing the funny side a lot sooner.
In my humble opinion, empathy is very important for a writer. Being able to put yourself in the shoes of each of your characters. The ability to ‘be’ them, one after the other, is a definite advantage when it comes to writing down convincing descriptions of the internal workings of those characters and eliciting the emotions you want from readers.
Readers love well rounded characters, realistically flawed, motivated and human. We love to see them overcome impossible odds and get their well deserved just deserts. It gives us hope that we too can fine our happily ever after.
In all aspects of my life I firmly believe I can always learn something from everybody if I keep my eyes open and my mind receptive to learning. Nowhere it this more true than when it comes to writing and editing. Writing is an art which must be learned and practiced.
How do we imbue our words with power? By knowing what we want to say and using the most powerful words in our vocabulary to say it. Pare your prose down to the bare minimum required to convey your message. Read, read, read and analyse what you read, whether to learn how to write powerfully, or how to avoid weakening your words. Strengthen your vocabulary and your writing skills.
Learn from other writers, join local writer’s groups, state, national or international associations, research whatever you need to in reputable books, do courses, attend seminars and conferences. Invest in yourself and your art, then put it all into practice.
Writing “The end” is so satisfying for a writer. However, the pity of it is that it’s just the start of the rewriting, revising, editing and polishing. Crafting an ending which is as Susan Wiggs describes is not easy for the writer. But what a way to go! That really is the kind of ending which sells your next book.
When the reader gets to this page, we hope that they feel ready to read it again. That really is the kind of ending which not only sells this book when readers talk about how great it is to their friends, it also sells your next book. Well worth the effort.
Much emphasis has rightly been given to hooking the reader in the first chapter. With so many choices, it has been said that you have 30 seconds to get readers emotionally involved with the characters and the story.
However, do not underestimate the importance of the final chapter for, selling the next book is it’s job. How does it accomplish that? By leaving the reader completely satisfied, moved. Think back to a book which, when you read the last page, affected you deeply. I remember wanting to go back and start again. Then going out to see what else the author has written. That is resonance.
How do you create this kind of ending? Take out your favourite books, the one which affected you most deeply. Read the ending again, taking careful note of what you feel. Then read it again, this time taking note of how that feeling was created. What was it about the writing that affected you so much? Practice ways to evoke that same feeling from your readers.